Seth Lakeman's fourth solo album, Poor Man’s Heaven , moves him ever closer to the mainstream, his frantic fiddle playing backed with a small, tight band fully aware of the power they generate. But the Dartmoor-based folk singer still digs into local folklore for material. The pounding opener "The Hurlers" refers to an ancient stone formation in Cornwall, while "Solomon Browne" commemorates the more recent loss with all hands of the Penlee lifeboat - Lakeman knew some of the bereaved as a schoolboy. Clearly a larger recording budget--his breakthrough record, 2004’s Mercury nominated Kitty Jay , was recorded in his kitchen for three hundred quid--hasn’t mollified his Saturnine tendencies. Having emerged from the purist folk scene, rather than the more chilled folktronica side, Lakeman must now be wondering how far he can go. The jaunty "Race To Be King" features maybe the loudest Jew’s harp ever recorded, while Kathryn Roberts' haunting backing vocals on "Cherry Red Girl" add depth (though he might be overdoing it on the old red though, included songs called "Crimson Dawn" and "Blood Red Sky"). The title track though is the giveaway, a blatant and undeniably effective reminder that Led Zeppelin defined the heavy folk-rock crossover decades ago. Lakeman yelps like a West Country Robert Plant, sounding like a man with stadia in his sights.--Steve Jelbert
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